{"id":914,"date":"2025-02-27T22:06:42","date_gmt":"2025-02-27T19:06:42","guid":{"rendered":"https:\/\/e-dokuman.com\/index.php\/2025\/02\/27\/ali-mumtaz-arolat-bir-gemi-yelken-acti-kitap-ozeti\/"},"modified":"2025-02-27T22:06:42","modified_gmt":"2025-02-27T19:06:42","slug":"ali-mumtaz-arolat-bir-gemi-yelken-acti-kitap-ozeti","status":"publish","type":"post","link":"https:\/\/e-dokuman.com\/index.php\/2025\/02\/27\/ali-mumtaz-arolat-bir-gemi-yelken-acti-kitap-ozeti\/","title":{"rendered":"Ali M\u00fcmtaz Arolat – Bir Gemi Yelken A\u00e7t\u0131 Kitap \u00d6zeti"},"content":{"rendered":"\n
<\/figure>\n\n\n\n

Bir Gemi Yelken A\u00e7t\u0131 (Ali M\u00fcmtaz Arolat) Kitab\u0131n\u0131n Geni\u015f ve \u00d6zg\u00fcn \u00d6zeti<\/h3>\n\n\n\n

Bir Gemi Yelken A\u00e7t\u0131<\/strong>, T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli \u015fairlerinden Ali M\u00fcmtaz Arolat\u2019\u0131n 1926 y\u0131l\u0131nda yay\u0131mlanan ilk \u015fiir kitab\u0131d\u0131r. Bu eser, \u015fairin gen\u00e7lik y\u0131llar\u0131ndan olgunluk d\u00f6nemine uzanan duygu d\u00fcnyas\u0131n\u0131, do\u011fa sevgisini, a\u015fk\u0131, \u00f6zlemi ve melankoliyi i\u015fleyen \u015fiirlerinden olu\u015fan bir derlemedir. Arolat, hece \u00f6l\u00e7\u00fcs\u00fcne dayal\u0131 ritmik yap\u0131s\u0131yla dikkat \u00e7eken bu kitab\u0131nda, tabiat\u0131n g\u00fczelliklerini ve insan ruhunun derinliklerini zarif bir dille harmanlar. 152 sayfal\u0131k bu kitap, T\u00fcrk \u015fiirinde sembolist etkilerin hissedildi\u011fi bir d\u00f6nemin \u00fcr\u00fcn\u00fc olarak, hem edebi de\u011feri hem de duygusal yo\u011funlu\u011fuyla \u00f6ne \u00e7\u0131kar. \u0130lk bask\u0131s\u0131ndan yakla\u015f\u0131k 80 y\u0131l sonra, 2008\u2019de D\u00fcnya Yay\u0131nc\u0131l\u0131k taraf\u0131ndan yeniden bas\u0131larak okurlarla bulu\u015fmu\u015ftur. Bu geni\u015f \u00f6zet, kitab\u0131n i\u00e7eri\u011fini detayl\u0131 bir \u015fekilde ele alarak, \u015fiirlerin temalar\u0131n\u0131, duygusal atmosferini ve Arolat\u2019\u0131n sanatsal yakla\u015f\u0131m\u0131n\u0131 derinlemesine inceliyor.<\/p>\n\n\n\n

Kitab\u0131n Genel Yap\u0131s\u0131 ve Temalar\u0131<\/h4>\n\n\n\n

Bir Gemi Yelken A\u00e7t\u0131<\/em>, sekiz ana b\u00f6l\u00fcmden olu\u015fan bir \u015fiir antolojisidir: \u201cBir Gemi Yelken A\u00e7t\u0131\u201d, \u201cSessizce\u201d, \u201cTun\u00e7 Madalya\u201d, \u201cG\u00f6n\u00fcl Bah\u00e7esi\u201d, \u201cDamla Damla\u201d, \u201c\u00c7oban ve Yolcu\u201d, \u201cSular\u0131n Derdi\u201d ve ek \u015fiirler. Her b\u00f6l\u00fcm, Arolat\u2019\u0131n farkl\u0131 ruh hallerini ve ya\u015fam deneyimlerini yans\u0131t\u0131r. Kitap, genel olarak do\u011fa, a\u015fk, ayr\u0131l\u0131k, \u00f6zlem, yaln\u0131zl\u0131k ve hayal d\u00fcnyas\u0131na ka\u00e7\u0131\u015f gibi temalar\u0131 i\u015fler. \u015eair, hece vezniyle yazd\u0131\u011f\u0131 bu \u015fiirlerde, ritmik bir ak\u0131\u015f ve imgelerle zenginle\u015ftirilmi\u015f bir dil kullan\u0131r. Daha sonra serbest nazma y\u00f6nelen Arolat\u2019\u0131n bu ilk kitab\u0131nda, hece \u00f6l\u00e7\u00fcs\u00fcn\u00fcn musikisi ve sembolist \u015fiirin duygu yo\u011funlu\u011fu dikkat \u00e7eker. Kitab\u0131n ad\u0131, ayn\u0131 zamanda a\u00e7\u0131l\u0131\u015f \u015fiirinden gelir ve hayal iklimlerine yelken a\u00e7an bir geminin yolculu\u011funu simgeler; bu, \u015fairin i\u00e7sel d\u00fcnyas\u0131na ve uzak diyarlara duydu\u011fu \u00f6zleme bir g\u00f6ndermedir.<\/p>\n\n\n\n

A\u00e7\u0131l\u0131\u015f \u015eiiri: \u201cBir Gemi Yelken A\u00e7t\u0131\u201d<\/h4>\n\n\n\n

Kitab\u0131n isim \u015fiiri \u201cBir Gemi Yelken A\u00e7t\u0131\u201d, Arolat\u2019\u0131n hayal d\u00fcnyas\u0131na olan tutkusunu ve melankolik ruh halini yans\u0131tan \u00f6nemli bir eserdir. \u015eiir, \u201cUfkun d\u00f6rt duvar\u0131na kanad\u0131n\u0131 vurarak \/ R\u00fczg\u00e2r s\u00fcr\u00fcklenirken derinlerden derine \/ G\u00fcm\u00fc\u015f yelkenlerini y\u00fcksekten savurarak \/ Bir gemi yelken a\u00e7t\u0131 hayal iklimlerine\u201d dizeleriyle ba\u015flar. Bu dizeler, bir geminin engin denizlerde yol almas\u0131n\u0131 tasvir ederken, ayn\u0131 zamanda \u015fairin ruhunun ger\u00e7ek d\u00fcnyadan ka\u00e7\u0131\u015f\u0131n\u0131 simgeler. \u015eiirde, yorgun mart\u0131lar\u0131n \u00e7\u0131\u011fl\u0131klar\u0131, f\u0131rt\u0131naya haz\u0131rlanan deniz ve ufukta solan \u015fafak g\u00fclleri gibi imgeler, do\u011fan\u0131n hareketlili\u011fini ve \u015fairin i\u00e7sel huzursuzlu\u011funu g\u00f6zler \u00f6n\u00fcne serer. Arolat, bu \u015fiirde eri\u015filmez bir diyara duyulan \u00f6zlemi ve bu \u00f6zlemin imk\u00e2ns\u0131zl\u0131\u011f\u0131n\u0131 vurgulayarak, melankolik bir atmosfer yarat\u0131r. \u015eiirin son k\u0131talar\u0131nda, \u201cMademki o iklime eri\u015fmeye imk\u00e2n yok \/ Neden b\u00f6yle vakitsiz enginlere \u00e7\u0131k\u0131\u015flar\u0131\u201d dizeleriyle, umutsuzluk ve sorgulama \u00f6ne \u00e7\u0131kar.<\/p>\n\n\n\n

\u201cSessizce\u201d B\u00f6l\u00fcm\u00fc: Do\u011fan\u0131n Dinginli\u011fi ve \u0130\u00e7sel Huzur<\/h4>\n\n\n\n

\u0130kinci b\u00f6l\u00fcm olan \u201cSessizce\u201d, daha sakin ve dingin bir atmosfer sunar. Bu b\u00f6l\u00fcmde yer alan \u015fiirler, genellikle tabiat\u0131n g\u00fczelliklerini ve \u015fairin bu g\u00fczellikler kar\u015f\u0131s\u0131nda duydu\u011fu huzuru i\u015fler. \u00d6rne\u011fin, \u201cHan\u0131melleri\u201d \u015fiirinde, bahar ak\u015famlar\u0131n\u0131n kokusu ve \u00e7i\u00e7eklerin zarafetiyle dolu bir manzara \u00e7izilir. Arolat, \u201cSessizce titreyen dallarda bir bahar \/ Han\u0131melleri a\u00e7m\u0131\u015f, kokusu yay\u0131lm\u0131\u015f\u201d gibi dizelerle, do\u011fan\u0131n sadeli\u011fini ve bu sadelikte gizlenen b\u00fcy\u00fcy\u00fc aktar\u0131r. \u201cG\u00fcl ve B\u00fclb\u00fcl\u201d \u015fiiri ise, klasik T\u00fcrk edebiyat\u0131ndan izler ta\u015f\u0131yan bir a\u015fk hikayesini modern bir \u00fcslupla ele al\u0131r. \u015eair, do\u011fan\u0131n sessizli\u011finde kendi i\u00e7 d\u00fcnyas\u0131na yolculuk yapar ve bu yolculukta hem ne\u015fe hem de h\u00fcz\u00fcn bulur.<\/p>\n\n\n\n

\u201cTun\u00e7 Madalya\u201d: Tarihi ve Kahramanl\u0131k Temalar\u0131<\/h4>\n\n\n\n

\u201cTun\u00e7 Madalya\u201d b\u00f6l\u00fcm\u00fc, Arolat\u2019\u0131n tarihsel fig\u00fcrlere ve kahramanl\u0131k hikayelerine duydu\u011fu ilgiyi yans\u0131t\u0131r. Bu b\u00f6l\u00fcmdeki \u015fiirler, Osmanl\u0131 tarihindeki \u00f6nemli ki\u015filikleri ve olaylar\u0131 konu al\u0131r. \u201cBarbaros\u201d ve \u201cTiryaki Hasan Pa\u015fa\u201d gibi \u015fiirler, kahramanl\u0131k destanlar\u0131n\u0131 lirik bir dille anlat\u0131r. \u00d6rne\u011fin, \u201cTun\u00e7 Madalya\u201d \u015fiirinde, sava\u015f\u0131n sertli\u011fi ve zaferin g\u00f6rkemi tun\u00e7 bir madalya metaforuyla ifade edilir. Arolat, bu \u015fiirlerde vatan sevgisini ve ge\u00e7mi\u015fi anma duygusunu \u00f6ne \u00e7\u0131kar\u0131rken, hece \u00f6l\u00e7\u00fcs\u00fcn\u00fcn ritmik yap\u0131s\u0131n\u0131 ustal\u0131kla kullan\u0131r. Bu b\u00f6l\u00fcm, \u015fairin sadece do\u011fa ve a\u015fk de\u011fil, ayn\u0131 zamanda toplumsal de\u011ferler \u00fczerine de d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc g\u00f6sterir.<\/p>\n\n\n\n

\u201cG\u00f6n\u00fcl Bah\u00e7esi\u201d: A\u015fk ve Romantizm<\/h4>\n\n\n\n

\u201cG\u00f6n\u00fcl Bah\u00e7esi\u201d b\u00f6l\u00fcm\u00fc, Arolat\u2019\u0131n a\u015fk temas\u0131na odakland\u0131\u011f\u0131 en duygusal k\u0131s\u0131mlardan biridir. \u201cZambaklar\u201d, \u201cG\u00fcller\u201d ve \u201cLeylaklar\u201d gibi \u015fiirler, sevgiliye duyulan \u00f6zlemi ve a\u015fk\u0131n masumiyetini \u00e7i\u00e7ek metaforlar\u0131yla i\u015fler. \u201cBahara Hasret\u201d \u015fiirinde, \u015fair, \u201cBahara hasret g\u00f6nl\u00fcm, bekler hep seni \/ G\u00fcller a\u00e7maz olmu\u015f, dal\u0131nda h\u00fcz\u00fcn\u201d dizeleriyle, sevgilinin yoklu\u011funda do\u011fan\u0131n bile soldu\u011funu ifade eder. Bu b\u00f6l\u00fcmde, Arolat\u2019\u0131n romantik yan\u0131 \u00f6n plandad\u0131r; a\u015fk, hem bir bahar co\u015fkusu hem de bir ayr\u0131l\u0131k ac\u0131s\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar. \u015eairin \u00e7i\u00e7eklere y\u00fckledi\u011fi anlamlar, sembolist etkilerin izlerini ta\u015f\u0131r ve okuyucuya duygu dolu bir yolculuk sunar.<\/p>\n\n\n\n

\u201cDamla Damla\u201d: Hayat\u0131n K\u00fc\u00e7\u00fck Anlar\u0131<\/h4>\n\n\n\n

\u201cDamla Damla\u201d b\u00f6l\u00fcm\u00fc, hayat\u0131n k\u00fc\u00e7\u00fck ama anlaml\u0131 anlar\u0131n\u0131 yakalamay\u0131 ama\u00e7lar. \u201cYaz Gecesi\u201d, \u201cLeylekler\u201d ve \u201cKargalar\u201d gibi \u015fiirler, do\u011fan\u0131n g\u00fcnl\u00fck d\u00f6ng\u00fcs\u00fcn\u00fc ve bu d\u00f6ng\u00fc i\u00e7indeki insan duygular\u0131n\u0131 ele al\u0131r. \u201cDamla Damla\u201d \u015fiirinde, Arolat, \u201cDamla damla s\u00fcz\u00fcl\u00fcr g\u00f6zya\u015f\u0131m geceye \/ Her bir damla bir an\u0131, her an\u0131 bir hece\u201d dizeleriyle, h\u00fcz\u00fcnl\u00fc ama zarif bir tablo \u00e7izer. Bu b\u00f6l\u00fcmde, \u015fairin g\u00f6zlem yetene\u011fi ve detaylara verdi\u011fi \u00f6nem \u00f6ne \u00e7\u0131kar. Do\u011fan\u0131n sesleri, renkleri ve hareketleri, Arolat\u2019\u0131n kaleminde \u015fiirsel birer unsura d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n\n\n\n

\u201c\u00c7oban ve Yolcu\u201d: Yaln\u0131zl\u0131k ve Yolculuk<\/h4>\n\n\n\n

\u201c\u00c7oban ve Yolcu\u201d b\u00f6l\u00fcm\u00fc, yaln\u0131zl\u0131k ve hayat yolculu\u011fu temalar\u0131n\u0131 i\u015fler. \u201cMehtaps\u0131z Bir Gece\u201d ve \u201cYolcu\u201d gibi \u015fiirler, insan\u0131n i\u00e7sel aray\u0131\u015f\u0131n\u0131 ve yolda olma halini yans\u0131t\u0131r. \u201c\u00c7oban\u201d \u015fiirinde, bir \u00e7oban\u0131n kaval\u0131ndan y\u00fckselen na\u011fmelerle do\u011fan\u0131n sessizli\u011fi birle\u015fir; bu, \u015fairin yaln\u0131zl\u0131k kar\u015f\u0131s\u0131nda buldu\u011fu huzuru simgeler. \u201cYollar\u201d \u015fiirinde ise, \u201cUzayan yollar beni \u00e7a\u011f\u0131r\u0131r hep \/ Ne bir dost ne bir iz, yaln\u0131z\u0131m ger\u00e7ek\u201d dizeleriyle, yolun hem fiziksel hem de manevi bir yolculuk oldu\u011fu vurgulan\u0131r. Arolat, bu b\u00f6l\u00fcmde insan\u0131n do\u011fayla ve kendiyle ba\u015f ba\u015fa kal\u0131\u015f\u0131n\u0131 derinlemesine i\u015fler.<\/p>\n\n\n\n

\u201cSular\u0131n Derdi\u201d: Deniz ve Su \u0130mgeleri<\/h4>\n\n\n\n

Kitab\u0131n en dikkat \u00e7ekici b\u00f6l\u00fcmlerinden biri olan \u201cSular\u0131n Derdi\u201d, suyun ve denizin \u015fair \u00fczerindeki etkisini g\u00f6zler \u00f6n\u00fcne serer. \u201cP\u0131nar\u201d, \u201c\u00c7a\u011flayan\u201d ve \u201cF\u0131rt\u0131nada Mart\u0131lar\u201d gibi \u015fiirler, suyun hem dingin hem de h\u0131r\u00e7\u0131n y\u00fcz\u00fcn\u00fc tasvir eder. \u201cKumlara \u00c7izdi\u011fim Hatlar\u201d \u015fiirinde, Arolat, dalgalar\u0131n silip g\u00f6t\u00fcrd\u00fc\u011f\u00fc \u00e7izgilerle ge\u00e7icili\u011fi ve unutulu\u015fu anlat\u0131r. \u201cDenize At\u0131lan Ta\u015flar\u201d \u015fiiri ise, \u201cHer ta\u015f bir dilek, her dalga bir son \/ Deniz al\u0131r g\u00f6t\u00fcr\u00fcr, umutlar yitip kon\u201d dizeleriyle, insan\u0131n arzular\u0131n\u0131n sonsuzluk kar\u015f\u0131s\u0131nda eriyip gitmesini ifade eder. Bu b\u00f6l\u00fcm, Arolat\u2019\u0131n do\u011faya duydu\u011fu hayranl\u0131\u011f\u0131 ve suyun \u015fiirsel g\u00fcc\u00fcn\u00fc en yo\u011fun \u015fekilde hissettirir.<\/p>\n\n\n\n

Kitab\u0131n Mesaj\u0131 ve Sanatsal De\u011feri<\/h4>\n\n\n\n

Bir Gemi Yelken A\u00e7t\u0131<\/em>, Ali M\u00fcmtaz Arolat\u2019\u0131n \u015fiirsel yetkinli\u011fini ve duygusal derinli\u011fini ortaya koyan bir ba\u015fyap\u0131tt\u0131r. Kitap, do\u011fan\u0131n g\u00fczelliklerini ve insan ruhunun karma\u015fas\u0131n\u0131 bir araya getirerek, okuyucuya hem estetik bir zevk hem de d\u00fc\u015f\u00fcnsel bir yolculuk sunar. Arolat\u2019\u0131n hece vezniyle yaratt\u0131\u011f\u0131 ritmik yap\u0131, \u015fiirlerin kolayca ak\u0131lda kalmas\u0131n\u0131 sa\u011flarken, sembolist etkilerle zenginle\u015fen imgeler, esere evrensel bir boyut kazand\u0131r\u0131r. Kitap, a\u015fk\u0131n co\u015fkusunu, ayr\u0131l\u0131\u011f\u0131n ac\u0131s\u0131n\u0131, do\u011fan\u0131n b\u00fcy\u00fcs\u00fcn\u00fc ve hayal d\u00fcnyas\u0131n\u0131n \u00e7ekicili\u011fini bir b\u00fct\u00fcn olarak i\u015fler. \u015eairin melankolik ama zarif \u00fcslubu, okuyucuyu kendi i\u00e7 d\u00fcnyas\u0131na d\u00f6nmeye davet eder.<\/p>\n\n\n\n

D\u00f6nemin Edebi Atmosferi ve Arolat\u2019\u0131n Yeri<\/h4>\n\n\n\n

1926 y\u0131l\u0131nda yay\u0131mlanan bu eser, Cumhuriyetin ilk y\u0131llar\u0131nda T\u00fcrk \u015fiirinin yenilenme s\u00fcrecine tan\u0131kl\u0131k eder. Hece \u00f6l\u00e7\u00fcs\u00fcn\u00fcn h\u00e2kim oldu\u011fu bu d\u00f6nemde, Arolat, Yahya Kemal Beyatl\u0131 ve Ahmet Hamdi Tanp\u0131nar gibi isimlerle birlikte, \u015fiire yeni bir duyarl\u0131l\u0131k ve estetik anlay\u0131\u015f getirir. Yahya Kemal\u2019in \u201cyeni bir zevk ve tahass\u00fcs\u201d olarak nitelendirdi\u011fi Arolat\u2019\u0131n tarz\u0131, d\u00f6nemin edebiyat \u00e7evrelerinde takdirle kar\u015f\u0131lanm\u0131\u015ft\u0131r. Nihat Sami Banarl\u0131 ise onu, \u201chece ile \u015fiire canl\u0131 ve hareketli bir ses katan\u201d bir \u015fair olarak tan\u0131mlar. Bir Gemi Yelken A\u00e7t\u0131<\/em>, bu y\u00f6n\u00fcyle, T\u00fcrk edebiyat\u0131nda hem geleneksel hem de modern unsurlar\u0131 birle\u015ftiren bir k\u00f6pr\u00fc niteli\u011findedir.<\/p>\n\n\n\n

Sonu\u00e7<\/h4>\n\n\n\n

Ali M\u00fcmtaz Arolat\u2019\u0131n Bir Gemi Yelken A\u00e7t\u0131<\/em> kitab\u0131, T\u00fcrk \u015fiirinin en zarif ve duygu y\u00fckl\u00fc eserlerinden biridir. Do\u011fa ile insan ruhu aras\u0131ndaki ba\u011f\u0131 ustal\u0131kla i\u015fleyen bu kitap, her bir \u015fiiriyle okuyucuyu farkl\u0131 bir iklime g\u00f6t\u00fcr\u00fcr. Hayal d\u00fcnyas\u0131na yelken a\u00e7an bir gemiden, f\u0131rt\u0131nal\u0131 denizlere; \u00e7i\u00e7eklerle dolu bir bah\u00e7eden, yaln\u0131z bir \u00e7oban\u0131n kaval sesine kadar uzanan bu yolculuk, Arolat\u2019\u0131n sanatsal dehas\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne serer. E\u011fer do\u011fan\u0131n \u015fiirle bulu\u015ftu\u011fu, a\u015fk\u0131n ve \u00f6zlemin en saf haliyle dile geldi\u011fi bir eser ar\u0131yorsan\u0131z, Bir Gemi Yelken A\u00e7t\u0131<\/em> tam size g\u00f6re. Bu kitap, hem edebiyat tutkunlar\u0131 hem de duygusal derinlik arayanlar i\u00e7in unutulmaz bir deneyim sunuyor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bir Gemi Yelken A\u00e7t\u0131 (Ali M\u00fcmtaz Arolat) Kitab\u0131n\u0131n Geni\u015f ve \u00d6zg\u00fcn \u00d6zeti Bir Gemi Yelken A\u00e7t\u0131, T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli \u015fairlerinden Ali M\u00fcmtaz Arolat\u2019\u0131n 1926 y\u0131l\u0131nda yay\u0131mlanan ilk \u015fiir kitab\u0131d\u0131r. Bu eser, \u015fairin gen\u00e7lik y\u0131llar\u0131ndan olgunluk d\u00f6nemine uzanan duygu d\u00fcnyas\u0131n\u0131, do\u011fa sevgisini, a\u015fk\u0131, \u00f6zlemi ve melankoliyi i\u015fleyen \u015fiirlerinden olu\u015fan bir derlemedir. Arolat, hece \u00f6l\u00e7\u00fcs\u00fcne dayal\u0131 ritmik … <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[1590,1627,1584,1634,1632,1633,1631,1620,1587,1592,1625,1611,1585,1638,1635,1636,1637,1586,1601,1609,915,1605,1002,1113,1591,1130,1624,1598,1398,1122,1628,1292,1630,1608,1451,1600,1612,1594,1588,1610,1576,1614,1593,1615,1033,1596,1616,1618,761,1606,1623,1617,1589,1595,1607,1619,1622,1613,1629,1602,1603,1599,917,1621,1014,1128,1626,1116,994,1597,1604],"class_list":["post-914","post","type-post","status-publish","format-standard","hentry","category-genel-dokumanlar","tag-1926-siir-kitabi","tag-20-yuzyil-siiri","tag-ali-mumtaz-arolat","tag-ali-mumtaz-arolat-bir-gemi-yelken-acti-kitap-genis-ozet","tag-ali-mumtaz-arolat-bir-gemi-yelken-acti-kitap-genis-ozeti","tag-ali-mumtaz-arolat-bir-gemi-yelken-acti-kitap-ozet","tag-ali-mumtaz-arolat-bir-gemi-yelken-acti-kitap-ozeti","tag-ali-mumtaz-arolat-hayati","tag-ali-mumtaz-arolat-siirleri","tag-ask-siirleri","tag-ask-ve-tabiat","tag-ayrilik-acisi","tag-bir-gemi-yelken-acti","tag-bir-gemi-yelken-acti-genis-ozet","tag-bir-gemi-yelken-acti-kitap-genis-ozet","tag-bir-gemi-yelken-acti-kitap-genis-ozeti","tag-bir-gemi-yelken-acti-kitap-ozet","tag-bir-gemi-yelken-acti-ozet","tag-coban-ve-yolcu","tag-cumhuriyet-donemi-siir","tag-damla-damla","tag-deniz-imgeleri","tag-detayli-ozet","tag-doga-sevgisi","tag-doga-temasi","tag-doga-ve-insan","tag-doganin-siiri","tag-dunya-yayincilik","tag-duygusal-derinlik","tag-duygusal-siirler","tag-duygusal-yolculuk","tag-edebiyat-analizi","tag-edebiyat-severler-icin-kitaplar","tag-edebiyat-tarihi","tag-estetik-anlayis","tag-gonul-bahcesi","tag-hayal-dunyasi","tag-hayal-iklimleri","tag-hece-olcusu","tag-hece-vezni","tag-kitap-yorumu","tag-klasik-siir","tag-melankoli","tag-modern-siir","tag-nostalji","tag-osmanlidan-cumhuriyete-siir","tag-ozlem-siirleri","tag-ritmik-siir","tag-romantizm","tag-sair-biyografisi","tag-sairin-ic-dunyasi","tag-sembolist-etkiler","tag-sembolist-siir","tag-siir-antolojisi","tag-siir-incelemesi","tag-siir-okuma-onerisi","tag-siir-temalari","tag-siirsel-dil","tag-siirsel-imgeler","tag-sularin-derdi","tag-tabiat-siirleri","tag-tunc-madalya","tag-turk-edebiyati","tag-turk-edebiyati-klasikleri","tag-turk-klasikleri","tag-turk-sairler","tag-turk-siir-antolojisi","tag-turk-siiri","tag-uzun-ozet","tag-yahya-kemal","tag-yalnizlik-temasi"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts\/914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/comments?post=914"}],"version-history":[{"count":0,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts\/914\/revisions"}],"wp:attachment":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/media?parent=914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/categories?post=914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/tags?post=914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}