{"id":885,"date":"2025-02-24T23:22:53","date_gmt":"2025-02-24T20:22:53","guid":{"rendered":"https:\/\/e-dokuman.com\/index.php\/2025\/02\/24\/sukufe-nihalin-domanic-daglarinin-yolcusu-kitabinin-detayli-ozeti-ve-incelemesi\/"},"modified":"2025-02-24T23:22:53","modified_gmt":"2025-02-24T20:22:53","slug":"sukufe-nihalin-domanic-daglarinin-yolcusu-kitabinin-detayli-ozeti-ve-incelemesi","status":"publish","type":"post","link":"https:\/\/e-dokuman.com\/index.php\/2025\/02\/24\/sukufe-nihalin-domanic-daglarinin-yolcusu-kitabinin-detayli-ozeti-ve-incelemesi\/","title":{"rendered":"\u015e\u00fck\u00fbfe Nihal\u2019in Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu kitab\u0131n\u0131n detayl\u0131 \u00f6zeti ve incelemesi"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu &#8211; \u015e\u00fck\u00fbfe Nihal Kitab\u0131n\u0131n Geni\u015f ve \u00d6zg\u00fcn \u00d6zeti<\/h3>\n\n\n\n<p>\u015e\u00fck\u00fbfe Nihal\u2019in 1946 y\u0131l\u0131nda yay\u0131mlanan <em>Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu<\/em>, T\u00fcrk edebiyat\u0131nda gezi yaz\u0131s\u0131 t\u00fcr\u00fcn\u00fcn en \u00e7arp\u0131c\u0131 \u00f6rneklerinden biridir. 94 sayfal\u0131k bu eser, bir yurt gezisi s\u0131ras\u0131nda yazar\u0131n g\u00f6zlemlerini, duygu ve d\u00fc\u015f\u00fcncelerini bir roman kurgusuyla harmanlayarak okuyucuya sunar. Cumhuriyetin ilk kad\u0131n yazarlar\u0131ndan biri olan \u015e\u00fck\u00fbfe Nihal, bu kitab\u0131nda Kurtulu\u015f Sava\u015f\u0131\u2019n\u0131n izlerini ta\u015f\u0131yan Anadolu\u2019yu ve \u00f6zellikle kad\u0131nlar\u0131n toplumsal rol\u00fcn\u00fc derinlemesine ele al\u0131r. Eser, ayn\u0131 y\u0131l \u015eakir S\u0131rmal\u0131 taraf\u0131ndan <em>Domani\u00e7 Yolcusu<\/em> ad\u0131yla sinemaya uyarlanm\u0131\u015f ve Milli E\u011fitim Bakanl\u0131\u011f\u0131\u2019n\u0131n 100 Temel Eser listesine girmi\u015ftir. \u015e\u00fck\u00fbfe Nihal\u2019in co\u015fkulu, \u015fiirsel ve kad\u0131n duyarl\u0131l\u0131\u011f\u0131yla bezeli \u00fcslubu, kitab\u0131 s\u0131radan bir gezi anlat\u0131s\u0131ndan \u00e7ok daha fazlas\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr; bu eser, bir destan, bir toplumsal analiz ve bir duygusal yolculuktur.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Hik\u00e2yenin K\u00f6keni ve Gezi\u2019nin Ba\u015flang\u0131c\u0131<\/h4>\n\n\n\n<p><em>Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu<\/em>, \u015e\u00fck\u00fbfe Nihal\u2019in Anadolu\u2019yu kar\u0131\u015f kar\u0131\u015f gezme tutkusunun bir \u00fcr\u00fcn\u00fcd\u00fcr. Yazar, Cumhuriyetin ilk y\u0131llar\u0131nda \u00fclkenin ilerlemesi i\u00e7in ayd\u0131nlar\u0131n Anadolu\u2019yla ba\u011f kurmas\u0131 gerekti\u011fine inan\u0131r. Bu inan\u00e7la \u00e7\u0131kt\u0131\u011f\u0131 yurt gezilerinden birinde, \u0130neg\u00f6l yak\u0131nlar\u0131ndaki Domani\u00e7 Da\u011flar\u0131\u2019nda ge\u00e7en trajik bir hik\u00e2yeyi duyar ve bu hik\u00e2yenin izini s\u00fcrmeye karar verir. Roman, yazar\u0131n bu gezi s\u0131ras\u0131ndaki deneyimlerini ve kar\u015f\u0131la\u015ft\u0131\u011f\u0131 insanlar\u0131 bir kurguyla birle\u015ftirerek ba\u015flar. \u015e\u00fck\u00fbfe Nihal, yolculu\u011funun ilk anlar\u0131n\u0131 \u015fu \u015fekilde tasvir eder:<br \/><em>\u201cAnadolu! Ba\u015ftan ba\u015fa \u015fiir dolu Anadolu! Da\u011flar\u0131nda esen r\u00fczg\u00e2r, ovalar\u0131nda akan su, hep bir destan f\u0131s\u0131ld\u0131yor.\u201d<\/em><br \/>Bu sat\u0131rlar, yazar\u0131n Anadolu\u2019ya duydu\u011fu hayranl\u0131\u011f\u0131 ve gezisinin ruhunu yans\u0131t\u0131r.<\/p>\n\n\n\n<p>Hik\u00e2yenin temelinde, Kurtulu\u015f Sava\u015f\u0131 s\u0131ras\u0131nda ya\u015fanm\u0131\u015f ger\u00e7ek bir olay yer al\u0131r: Domani\u00e7 Da\u011flar\u0131\u2019ndan inen bir k\u00f6yl\u00fc kad\u0131n\u0131, d\u00fc\u015fmana yol g\u00f6stererek vatana ihanet etti\u011fini \u00f6\u011frendi\u011fi \u00f6z o\u011flunu silah\u0131yla vurur. Bu dramatik olay, \u015e\u00fck\u00fbfe Nihal\u2019in ilgisini \u00e7eker ve onu bu kad\u0131n\u0131n izini s\u00fcrmeye y\u00f6neltir. Yazar, gezi boyunca hem bu hik\u00e2yeyi ara\u015ft\u0131r\u0131r hem de Anadolu\u2019nun 1940\u2019lardaki sosyal ve ekonomik yap\u0131s\u0131n\u0131 g\u00f6zlemler. Kitap, bir yandan tarihsel bir destan\u0131 ortaya koyarken, di\u011fer yandan yazar\u0131n ki\u015fisel g\u00f6zlemlerini ve ideallerini okuyucuya aktar\u0131r.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Yolculuk ve Kar\u015f\u0131la\u015f\u0131lan \u0130nsanlar<\/h4>\n\n\n\n<p>\u015e\u00fck\u00fbfe Nihal, Domani\u00e7 Da\u011flar\u0131\u2019na do\u011fru yola \u00e7\u0131kt\u0131\u011f\u0131nda, Anadolu\u2019nun zorlu ama b\u00fcy\u00fcleyici co\u011frafyas\u0131yla tan\u0131\u015f\u0131r. Da\u011flar\u0131n sarp yollar\u0131, yemye\u015fil ormanlar\u0131 ve sessiz k\u00f6yleri, yazar\u0131n kaleminde adeta bir tabloya d\u00f6n\u00fc\u015f\u00fcr. Yol boyunca konaklad\u0131\u011f\u0131 duraklarda k\u00f6yl\u00fclerle sohbet eder, onlar\u0131n hayat hik\u00e2yelerini dinler ve \u00f6zellikle kad\u0131nlar\u0131n durumuna odaklan\u0131r. \u00d6\u011fretmen kimli\u011fiyle, kad\u0131nlar\u0131n e\u011fitiminin ve toplumsal ya\u015fama kat\u0131l\u0131m\u0131n\u0131n \u00f6nemini her f\u0131rsatta vurgular. Bir k\u00f6yde kar\u015f\u0131la\u015ft\u0131\u011f\u0131 gen\u00e7 bir kad\u0131n\u0131n hik\u00e2yesi, yazar\u0131n dikkatini \u00e7eker:<br \/><em>\u201cK\u0131zca\u011f\u0131z, yanl\u0131\u015f bir evlili\u011fin kurban\u0131 olmu\u015f, ne okuma yazma \u00f6\u011frenmi\u015f ne de kendi ayaklar\u0131 \u00fczerinde durmay\u0131. Oysa bu da\u011flar\u0131n her bir k\u0131z\u0131, bir cevherdir; yeter ki i\u015flensin.\u201d<\/em><br \/>Bu g\u00f6zlem, \u015e\u00fck\u00fbfe Nihal\u2019in ilerlemenin k\u00f6yl\u00fc kad\u0131nlar\u0131n e\u011fitimiyle ba\u015flayaca\u011f\u0131na olan inanc\u0131n\u0131 peki\u015ftirir.<\/p>\n\n\n\n<p>Yolculuk s\u0131ras\u0131nda kar\u015f\u0131la\u015ft\u0131\u011f\u0131 insanlar, yazar\u0131n Anadolu insan\u0131na duydu\u011fu hayranl\u0131\u011f\u0131 art\u0131r\u0131r. Kurtulu\u015f Sava\u015f\u0131\u2019n\u0131n izlerini ta\u015f\u0131yan k\u00f6yl\u00fcler, zorlu \u015fartlara ra\u011fmen dimdik ayakta durur. \u015e\u00fck\u00fbfe Nihal, bu insanlar\u0131n dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131 ve vatan sevgisini \u015fu \u015fekilde ifade eder:<br \/><em>\u201cBu topraklar\u0131n her bir ta\u015f\u0131, her bir a\u011fac\u0131, sava\u015f\u0131n ac\u0131s\u0131n\u0131 ve zaferin gururunu anlat\u0131yor. Bu insanlar, yoksulluk i\u00e7inde bile ba\u015flar\u0131n\u0131 e\u011fmemi\u015fler.\u201d<\/em><br \/>Yazar, bu izlenimlerini destans\u0131 bir \u00fcslupla aktar\u0131rken, Anadolu\u2019nun ruhunu okuyucuya hissettirmeyi ba\u015far\u0131r.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Destans\u0131 Bir Anne ve Trajik Son<\/h4>\n\n\n\n<p>Roman\u0131n en \u00e7arp\u0131c\u0131 b\u00f6l\u00fcm\u00fc, \u015e\u00fck\u00fbfe Nihal\u2019in arad\u0131\u011f\u0131 k\u00f6yl\u00fc kad\u0131n\u0131n hik\u00e2yesine ula\u015ft\u0131\u011f\u0131 and\u0131r. Yazar, yerel halk\u0131n anlat\u0131lar\u0131ndan ve kendi ara\u015ft\u0131rmalar\u0131ndan yola \u00e7\u0131karak bu trajediyi kurgular. Kurtulu\u015f Sava\u015f\u0131\u2019n\u0131n kaotik g\u00fcnlerinde, Domani\u00e7 Da\u011flar\u0131\u2019nda ya\u015fayan bir anne, o\u011flunun d\u00fc\u015fmanla i\u015f birli\u011fi yapt\u0131\u011f\u0131n\u0131 \u00f6\u011frenir. Bu ihanet, kad\u0131n\u0131n hem anne sevgisiyle hem de vatan sevgisiyle s\u0131nanmas\u0131na neden olur. Sonunda, ac\u0131 bir kararla o\u011flunu kendi elleriyle vurur. \u015e\u00fck\u00fbfe Nihal, bu an\u0131 \u015fu \u015fekilde tasvir eder:<br \/><em>\u201cDa\u011flar\u0131n sessizli\u011finde bir silah patlad\u0131. Anne, o\u011flunu topra\u011fa g\u00f6merken g\u00f6zya\u015flar\u0131n\u0131 da g\u00f6md\u00fc. O andan sonra ne a\u011flad\u0131 ne de bir daha o da\u011flardan indi.\u201d<\/em><br \/>Bu sahne, sadece bir annenin ki\u015fisel dram\u0131n\u0131 de\u011fil, ayn\u0131 zamanda sava\u015f\u0131n bireyler \u00fczerindeki y\u0131k\u0131c\u0131 etkisini g\u00f6zler \u00f6n\u00fcne serer. \u015e\u00fck\u00fbfe Nihal, bu olay\u0131 bir destan gibi i\u015fler; kad\u0131n\u0131n cesaretini ve fedak\u00e2rl\u0131\u011f\u0131n\u0131 y\u00fcceltirken, sava\u015f\u0131n ac\u0131mas\u0131zl\u0131\u011f\u0131n\u0131 da ele\u015ftirir.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Kad\u0131n Duyarl\u0131l\u0131\u011f\u0131 ve Toplumsal Mesajlar<\/h4>\n\n\n\n<p><em>Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu<\/em>\u2019nu di\u011fer gezi yaz\u0131lar\u0131ndan ay\u0131ran en \u00f6nemli \u00f6zellik, \u015e\u00fck\u00fbfe Nihal\u2019in kad\u0131n duyarl\u0131l\u0131\u011f\u0131d\u0131r. Yazar, yolculu\u011fu boyunca kar\u015f\u0131la\u015ft\u0131\u011f\u0131 kad\u0131nlar\u0131n hik\u00e2yelerini merkeze al\u0131r ve onlar\u0131n sorunlar\u0131na \u00e7\u00f6z\u00fcm \u00f6nerileri sunar. Yanl\u0131\u015f evlilikler, e\u011fitimsizlik ve toplumsal bask\u0131lar, \u015e\u00fck\u00fbfe Nihal\u2019in \u00fczerinde durdu\u011fu temel meselelerdir. O, bu sorunlar\u0131n \u00e7\u00f6z\u00fcm\u00fc i\u00e7in ayd\u0131nlar\u0131n k\u00f6ylere gitmesi, kad\u0131nlara okuma yazma \u00f6\u011fretmesi ve onlar\u0131 \u00fcretime katmas\u0131 gerekti\u011fini savunur. Bir b\u00f6l\u00fcmde \u015f\u00f6yle yazar:<br \/><em>\u201cK\u00f6y\u00fcn kad\u0131nlar\u0131 okusa, \u00e7al\u0131\u015fsa, bu da\u011flar \u00e7i\u00e7ek a\u00e7ar. \u0130lerleme, \u015fehirlerin s\u00fcsl\u00fc sokaklar\u0131ndan de\u011fil, bu topraklar\u0131n sessiz evlerinden ba\u015flayacak.\u201d<\/em><br \/>Bu sat\u0131rlar, yazar\u0131n Cumhuriyetin modernle\u015fme ideallerine olan inanc\u0131n\u0131 ve kad\u0131n haklar\u0131na verdi\u011fi \u00f6nemi g\u00f6sterir.<\/p>\n\n\n\n<p>\u015e\u00fck\u00fbfe Nihal\u2019in \u00f6\u011fretmenlik ge\u00e7mi\u015fi, bu g\u00f6zlemlerine rehberlik eder. O, Anadolu kad\u0131nlar\u0131n\u0131 birer kahraman olarak g\u00f6r\u00fcr ve onlar\u0131n potansiyelini ortaya \u00e7\u0131karmak i\u00e7in \u00e7aba g\u00f6sterir. Kitap boyunca, kad\u0131nlar\u0131n sadece evde de\u011fil, toplumun her alan\u0131nda aktif rol almas\u0131 gerekti\u011fi fikri i\u015flenir. Bu mesajlar, eseri bir gezi kitab\u0131ndan \u00e7ok, bir manifesto haline getirir.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">\u015eiirsel \u00dcslup ve Anadolu\u2019nun Portresi<\/h4>\n\n\n\n<p>\u015e\u00fck\u00fbfe Nihal\u2019in \u015fair kimli\u011fi, <em>Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu<\/em>\u2019nda her sat\u0131rda kendini hissettirir. Yazar, Anadolu\u2019nun do\u011fal g\u00fczelliklerini ve insanlar\u0131n\u0131 \u015fiirsel bir dille betimler. Da\u011flar\u0131n heybeti, ovalar\u0131n sakinli\u011fi ve k\u00f6yl\u00fclerin i\u00e7tenli\u011fi, onun kaleminde adeta bir tabloya d\u00f6n\u00fc\u015f\u00fcr. Bir b\u00f6l\u00fcmde \u015f\u00f6yle der:<br \/><em>\u201cDomani\u00e7\u2019in da\u011flar\u0131, g\u00f6ky\u00fcz\u00fcne bir sevda t\u00fcrk\u00fcs\u00fc gibi y\u00fckselir. Bu t\u00fcrk\u00fc, hem ac\u0131y\u0131 hem umudu ta\u015f\u0131r.\u201d<\/em><br \/>Bu \u015fiirsel \u00fcslup, kitab\u0131 kuru bir anlat\u0131dan uzakla\u015ft\u0131r\u0131r ve okuyucuyu duygusal bir yolculu\u011fa \u00e7\u0131kar\u0131r.<\/p>\n\n\n\n<p>Anadolu\u2019nun 1940\u2019lardaki portresi, \u015e\u00fck\u00fbfe Nihal\u2019in g\u00f6z\u00fcnden hem ger\u00e7ek\u00e7i hem de romantik bir \u015fekilde sunulur. Yazar, yoksulluk ve geri kalm\u0131\u015fl\u0131kla m\u00fccadele eden k\u00f6yl\u00fcleri tasvir ederken, onlar\u0131n vatan sevgisi ve dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131 \u00f6ne \u00e7\u0131kar\u0131r. Bu \u00e7eli\u015fkili tablo, Cumhuriyetin ilk y\u0131llar\u0131nda Anadolu\u2019nun hem zorluklar\u0131n\u0131 hem de potansiyelini g\u00f6zler \u00f6n\u00fcne serer.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Sonu\u00e7 ve Eserin De\u011feri<\/h4>\n\n\n\n<p><em>Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu<\/em>, \u015e\u00fck\u00fbfe Nihal\u2019in gezi notlar\u0131n\u0131 bir roman kurgusuyla birle\u015ftirerek sundu\u011fu e\u015fsiz bir eserdir. Kitap, Kurtulu\u015f Sava\u015f\u0131\u2019n\u0131n destans\u0131 bir olay\u0131n\u0131 merkeze al\u0131rken, Anadolu\u2019nun sosyal yap\u0131s\u0131n\u0131, kad\u0131nlar\u0131n durumunu ve Cumhuriyetin modernle\u015fme \u00e7abas\u0131n\u0131 derinlemesine analiz eder. \u015e\u00fck\u00fbfe Nihal\u2019in co\u015fkulu anlat\u0131m\u0131, kad\u0131n duyarl\u0131l\u0131\u011f\u0131 ve \u015fiirsel \u00fcslubu, eseri T\u00fcrk edebiyat\u0131nda unutulmaz bir yere ta\u015f\u0131r. Okuyucu, bu kitapla hem tarihe bir yolculuk yapar hem de Anadolu\u2019nun ruhunu derinden hisseder.<\/p>\n\n\n\n<p>Eser, ayn\u0131 zamanda \u015e\u00fck\u00fbfe Nihal\u2019in ideallerini yans\u0131tan bir manifesto niteli\u011findedir. Kad\u0131n e\u011fitimi, toplumsal ilerleme ve Anadolu\u2019nun kalk\u0131nmas\u0131 gibi konular, yazar\u0131n hayat boyu savundu\u011fu de\u011ferlerdir. <em>Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu<\/em>, sadece bir gezi kitab\u0131 de\u011fil, bir edebiyat eseri, bir tarihsel belge ve bir duygusal deneyimdir. T\u00fcrk edebiyat\u0131na ve Cumhuriyetin ilk y\u0131llar\u0131na ilgi duyanlar i\u00e7in bu kitap, mutlaka okunmas\u0131 gereken bir ba\u015fyap\u0131tt\u0131r.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu &#8211; \u015e\u00fck\u00fbfe Nihal Kitab\u0131n\u0131n Geni\u015f ve \u00d6zg\u00fcn \u00d6zeti \u015e\u00fck\u00fbfe Nihal\u2019in 1946 y\u0131l\u0131nda yay\u0131mlanan Domani\u00e7 Da\u011flar\u0131n\u0131n Yolcusu, T\u00fcrk edebiyat\u0131nda gezi yaz\u0131s\u0131 t\u00fcr\u00fcn\u00fcn en \u00e7arp\u0131c\u0131 \u00f6rneklerinden biridir. 94 sayfal\u0131k bu eser, bir yurt gezisi s\u0131ras\u0131nda yazar\u0131n g\u00f6zlemlerini, duygu ve d\u00fc\u015f\u00fcncelerini bir roman kurgusuyla harmanlayarak okuyucuya sunar. Cumhuriyetin ilk kad\u0131n yazarlar\u0131ndan biri olan \u015e\u00fck\u00fbfe Nihal, &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[150,929,951,958,919,953,956,942,966,924,959,944,949,946,147,945,950,955,947,925,957,943,965,963,962,961,964,960,954,948,917,952],"class_list":["post-885","post","type-post","status-publish","format-standard","hentry","category-genel-dokumanlar","tag-100-temel-eser","tag-anadolu","tag-anadolu-koyleri","tag-cumhuriyet-aydini","tag-cumhuriyet-donemi","tag-destan","tag-dogal-guzellikler","tag-domanic-daglarinin-yolcusu","tag-domanic-daglarinin-yolcusu-ozet","tag-edebi-inceleme","tag-feminist-edebiyat","tag-gezi-yazisi","tag-kadin-egitimi","tag-kadin-haklari","tag-kitap-ozeti","tag-kurtulus-savasi","tag-milli-mucadele","tag-modernlesme","tag-roman-kurgusu","tag-siirsel-anlatim","tag-sosyal-gercekcilik","tag-sukufe-nihal","tag-sukufe-nihal-domanic-daglarinin-yolcusu-genis-ozet","tag-sukufe-nihal-domanic-daglarinin-yolcusu-kitabi-detayli-ozet","tag-sukufe-nihal-domanic-daglarinin-yolcusu-kitabi-detayli-ozeti","tag-sukufe-nihal-domanic-daglarinin-yolcusu-kitabi-detayli-ozeti-ve-incelemesi","tag-sukufe-nihal-domanic-daglarinin-yolcusu-ozet","tag-sukufe-nihalin-domanic-daglarinin-yolcusu-kitabinin-detayli-ozeti-ve-incelemesi","tag-tarihsel-roman","tag-toplumsal-analiz","tag-turk-edebiyati","tag-turk-kadini"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts\/885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/comments?post=885"}],"version-history":[{"count":0,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts\/885\/revisions"}],"wp:attachment":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/media?parent=885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/categories?post=885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/tags?post=885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}