<\/p>\n\n\n\n
Clarissa Pinkola Est\u00e9s\u2019in “Kurtlarla Ko\u015fan Kad\u0131nlar” kitab\u0131, modern d\u00fcnyan\u0131n kad\u0131n ruhunu zincire vuran bask\u0131lar\u0131na kar\u015f\u0131 bir \u00f6zg\u00fcrl\u00fck manifestosu niteli\u011finde. Jungcu psikanalizle masallar\u0131n, mitlerin ve hikayelerin kadim bilgeli\u011fini harmanlayan Est\u00e9s, kad\u0131nlar\u0131n i\u00e7indeki “vah\u015fi kad\u0131n” arketipini uyand\u0131rmay\u0131 hedefliyor. Bu vah\u015fi kad\u0131n, do\u011fayla, sezgilerle ve yarat\u0131c\u0131 \u00f6zle ba\u011flant\u0131l\u0131; medeniyetin dayatt\u0131\u011f\u0131 uysall\u0131kla de\u011fil, kurtlar\u0131n \u00f6zg\u00fcr ko\u015fusuyla akraba bir varl\u0131k. Kitap, 16 b\u00f6l\u00fcm boyunca masallar ve hikayeler arac\u0131l\u0131\u011f\u0131yla bu \u00f6z\u00fc ke\u015ffetmeye davet ediyor; her bir anlat\u0131, kad\u0131nlar\u0131n bast\u0131r\u0131lm\u0131\u015f g\u00fcc\u00fcn\u00fc, yaralar\u0131n\u0131 ve iyile\u015fme yollar\u0131n\u0131 a\u00e7\u0131\u011fa vuruyor.<\/p>\n\n\n\n
Est\u00e9s, masallar\u0131 birer rehber olarak kullan\u0131yor; \u00e7\u00fcnk\u00fc ona g\u00f6re, bu hikayeler insan ruhunun derinliklerinden f\u0131\u015fk\u0131ran evrensel ger\u00e7ekleri sakl\u0131yor. Kitap boyunca “Mavi Sakal”, “K\u0131rm\u0131z\u0131 Ayakkab\u0131lar”, “La Loba” (Kurt Kad\u0131n), “\u00c7irkin \u00d6rdek Yavrusu” gibi masallar ve daha pek \u00e7ok anlat\u0131, kad\u0131nlar\u0131n ya\u015fam d\u00f6ng\u00fclerini, kay\u0131plar\u0131n\u0131 ve yeniden do\u011fu\u015flar\u0131n\u0131 sembolize ediyor. Bu masallar, sadece e\u011flence de\u011fil; ayn\u0131 zamanda birer \u015fifa arac\u0131.<\/p>\n\n\n\n
\u00d6rne\u011fin, “La Loba”<\/strong> masal\u0131, kurtlarla akraba ya\u015fl\u0131 bir kad\u0131n\u0131n \u00e7\u00f6ldeki kemikleri toplay\u0131p \u015fark\u0131larla onlar\u0131 yeniden canland\u0131rmas\u0131n\u0131 anlat\u0131r. Bu, Est\u00e9s\u2019in kad\u0131nlara verdi\u011fi ilk b\u00fcy\u00fck mesajlardan biridir: \u0130\u00e7indeki \u00f6l\u00fc par\u00e7alar\u0131 bul, onlar\u0131 sevgiyle topla ve hayata geri d\u00f6nd\u00fcr. Bu masal, yarat\u0131c\u0131l\u0131\u011f\u0131n ve ruhun yeniden uyan\u0131\u015f\u0131n\u0131n simgesi. Est\u00e9s, kad\u0131nlar\u0131n modern d\u00fcnyada nas\u0131l “kemikle\u015fti\u011fini” \u2013 yani duygular\u0131n\u0131, arzular\u0131n\u0131 ve \u00f6zg\u00fcnl\u00fcklerini nas\u0131l kaybetti\u011fini \u2013 \u00e7arp\u0131c\u0131 bir dille aktar\u0131yor.<\/p>\n\n\n\n Kitab\u0131n temel tezi, her kad\u0131n\u0131n i\u00e7inde bir “vah\u015fi kad\u0131n” ta\u015f\u0131d\u0131\u011f\u0131 ve bu vah\u015fi \u00f6z\u00fcn, toplumun “uslu k\u0131z” dayatmas\u0131yla bast\u0131r\u0131ld\u0131\u011f\u0131d\u0131r. Est\u00e9s, bu vah\u015fili\u011fi bir kaos ya da y\u0131k\u0131m olarak de\u011fil, hayat dolu, sezgisel ve \u00f6zg\u00fcr bir g\u00fc\u00e7 olarak tan\u0131mlar. Kurtlar gibi, vah\u015fi kad\u0131n da s\u00fcr\u00fcyle uyum i\u00e7inde ko\u015far ama asla zincire vurulmaz. Ancak modern d\u00fcnya, kad\u0131nlar\u0131 bu \u00f6zden koparm\u0131\u015f; onlar\u0131 itaatk\u00e2r, sessiz ve “m\u00fckemmel” olmaya zorlam\u0131\u015ft\u0131r.<\/p>\n\n\n\n “Mavi Sakal”<\/strong> masal\u0131 bu noktada devreye girer. Bir kad\u0131n\u0131n, kendisini yok etmeye \u00e7al\u0131\u015fan bir erkekle (i\u00e7sel ya da d\u0131\u015fsal bir fig\u00fcr) evlenmesi ve sonunda sezgilerini kullanarak kurtulmas\u0131 anlat\u0131l\u0131r. Est\u00e9s, bu hikayeyi kad\u0131nlar\u0131n i\u00e7indeki tehlikeyi fark etme ve kendilerini kurtarma g\u00fcc\u00fcne i\u015faret etmek i\u00e7in kullan\u0131r. Mavi Sakal, patriyarkal d\u00fczenin ya da kad\u0131n\u0131n kendi kendine koydu\u011fu bask\u0131n\u0131n bir metaforu olabilir. \u00d6zg\u00fcrle\u015fme, ancak bu tehdidi g\u00f6r\u00fcp ona kar\u015f\u0131 durmakla m\u00fcmk\u00fcn.<\/p>\n\n\n\n Kitap, kad\u0131n ruhunun yaralar\u0131n\u0131 da derinlemesine ele al\u0131yor. Est\u00e9s\u2019e g\u00f6re, bu yaralar genellikle \u00e7ocuklukta, toplumsal normlarla ya da travmalarla olu\u015fuyor. “K\u0131rm\u0131z\u0131 Ayakkab\u0131lar”<\/strong> masal\u0131, bu yaralar\u0131n nas\u0131l ba\u011f\u0131ml\u0131l\u0131klara ya da yanl\u0131\u015f yollara sapmaya neden oldu\u011funu g\u00f6zler \u00f6n\u00fcne seriyor. Hik\u00e2yede, el yap\u0131m\u0131 k\u0131rm\u0131z\u0131 ayakkab\u0131lar\u0131n\u0131 kaybeden bir k\u0131z, b\u00fcy\u00fcl\u00fc ama y\u0131k\u0131c\u0131 ba\u015fka ayakkab\u0131lara kap\u0131l\u0131r ve durmaks\u0131z\u0131n dans etmek zorunda kal\u0131r. Est\u00e9s, bu masal\u0131, kad\u0131nlar\u0131n \u00f6zlerinden uzakla\u015ft\u0131klar\u0131nda girdikleri t\u00fckeni\u015f d\u00f6ng\u00fclerini anlatmak i\u00e7in kullan\u0131yor. \u0130yile\u015fme ise, o sahte ayakkab\u0131lar\u0131 \u00e7\u0131kar\u0131p kendi yoluna d\u00f6nmekle ba\u015fl\u0131yor.<\/p>\n\n\n\n Est\u00e9s, vah\u015fi kad\u0131n\u0131n yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131 ve \u00f6fkesini de kutluyor. “\u00c7irkin \u00d6rdek Yavrusu”<\/strong> masal\u0131, ait olmad\u0131\u011f\u0131 bir yerde b\u00fcy\u00fcyen ve sonunda kendi s\u00fcr\u00fcs\u00fcn\u00fc bulan bir varl\u0131\u011f\u0131n hikayesi. Bu, kad\u0131nlar\u0131n kendilerini ke\u015ffetme ve topluma ra\u011fmen “kendi kabilelerini” bulma yolculu\u011funu simgeliyor. \u00d6fke ise, bast\u0131r\u0131ld\u0131\u011f\u0131nda zehir, serbest b\u0131rak\u0131ld\u0131\u011f\u0131nda ise d\u00f6n\u00fc\u015f\u00fcm arac\u0131 haline geliyor. Est\u00e9s, \u00f6fkenin sa\u011fl\u0131kl\u0131 bir \u015fekilde ifade edilmesinin, kad\u0131nlar\u0131n s\u0131n\u0131rlar\u0131n\u0131 korumas\u0131nda ve g\u00fc\u00e7lerini geri kazanmas\u0131nda kritik oldu\u011funu vurguluyor.<\/p>\n\n\n\n Kitap boyunca do\u011fayla ba\u011flant\u0131, vah\u015fi kad\u0131n\u0131n varolu\u015funun temel ta\u015f\u0131 olarak i\u015fleniyor. Kurtlar gibi, kad\u0131nlar da d\u00f6ng\u00fcsel bir varolu\u015fa sahip: Do\u011fum, \u00f6l\u00fcm, yeniden do\u011fu\u015f. Est\u00e9s, bu d\u00f6ng\u00fcleri menstrual d\u00f6ng\u00fclerden mevsim de\u011fi\u015fimlerine kadar geni\u015f bir yelpazede ele al\u0131yor. Modern d\u00fcnyan\u0131n lineer zaman anlay\u0131\u015f\u0131na kar\u015f\u0131, vah\u015fi kad\u0131n zamans\u0131zd\u0131r; k\u00f6kleri topra\u011fa, ruhu y\u0131ld\u0131zlara uzan\u0131r.<\/p>\n\n\n\n “Kurtlarla Ko\u015fan Kad\u0131nlar”, bir eve d\u00f6n\u00fc\u015f \u00e7a\u011fr\u0131s\u0131d\u0131r. Est\u00e9s, kad\u0131nlar\u0131 i\u00e7lerindeki vah\u015fi \u00f6z\u00fc bulmaya, onu beslemeye ve korumaya davet eder. Kitab\u0131n sonlar\u0131nda, okuyucuya bir t\u00fcr rit\u00fcel \u00f6nerir: Kendi “kemiklerini” topla, kendi \u015fark\u0131n\u0131 s\u00f6yle ve kendi yolunda ko\u015f. Bu, bireysel bir uyan\u0131\u015f oldu\u011fu kadar, kolektif bir \u015fifa hareketidir.<\/p>\n\n\n\n “Kurtlarla Ko\u015fan Kad\u0131nlar”, bir ki\u015fisel geli\u015fim kitab\u0131ndan \u00e7ok daha fazlas\u0131; adeta bir ruhsal arkeoloji \u00e7al\u0131\u015fmas\u0131. Est\u00e9s, masallar\u0131 birer harita gibi kullanarak, kad\u0131nlar\u0131n kaybolmu\u015f par\u00e7alar\u0131n\u0131 bulmalar\u0131na rehberlik ediyor. Kitap, akademik bir dilden uzak, sanki bir b\u00fcy\u00fckanne ate\u015f ba\u015f\u0131nda hikaye anlat\u0131yormu\u015f gibi samimi ve davetk\u00e2r. Okurken, kurt ulumalar\u0131n\u0131 duyuyor, topra\u011f\u0131n kokusunu al\u0131yor ve i\u00e7inizdeki vah\u015fi kad\u0131n\u0131n k\u0131p\u0131rdand\u0131\u011f\u0131n\u0131 hissediyorsunuz.<\/p>\n\n\n\n Bu eser, sadece kad\u0131nlara de\u011fil, insan ruhunun \u00f6zg\u00fcrle\u015fme arzusuna hitap ediyor. Est\u00e9s\u2019in kalemi, sizi hem yaralar\u0131n\u0131zla y\u00fczle\u015ftiriyor hem de o yaralar\u0131 sarmak i\u00e7in bir \u015fark\u0131 f\u0131s\u0131ld\u0131yor. \u00d6zg\u00fcnl\u00fc\u011f\u00fc, masallar\u0131n katmanlar\u0131n\u0131 a\u00e7arken modern d\u00fcnyan\u0131n yaratt\u0131\u011f\u0131 bo\u015flu\u011fu doldurmas\u0131nda yat\u0131yor. Okuduktan sonra, aynaya bakt\u0131\u011f\u0131n\u0131zda kendinizde bir kurt izi arayabilirsiniz ve belki de bulursunuz.<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Kurtlarla Ko\u015fan Kad\u0131nlar: Vah\u015fi Ruhun \u0130zinde Bir Yolculuk Clarissa Pinkola Est\u00e9s\u2019in “Kurtlarla Ko\u015fan Kad\u0131nlar” kitab\u0131, modern d\u00fcnyan\u0131n kad\u0131n ruhunu zincire vuran bask\u0131lar\u0131na kar\u015f\u0131 bir \u00f6zg\u00fcrl\u00fck manifestosu niteli\u011finde. Jungcu psikanalizle masallar\u0131n, mitlerin ve hikayelerin kadim bilgeli\u011fini harmanlayan Est\u00e9s, kad\u0131nlar\u0131n i\u00e7indeki “vah\u015fi kad\u0131n” arketipini uyand\u0131rmay\u0131 hedefliyor. Bu vah\u015fi kad\u0131n, do\u011fayla, sezgilerle ve yarat\u0131c\u0131 \u00f6zle ba\u011flant\u0131l\u0131; medeniyetin dayatt\u0131\u011f\u0131 … <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[813,798,809,810,816,802,808,800,819,799,805,794,793,795,796,803,801,804,817,679,815,818,806,814,797,812,811,807],"class_list":["post-873","post","type-post","status-publish","format-standard","hentry","category-genel-dokumanlar","tag-booksummary","tag-clarissapinkolaestes","tag-dogaveruh","tag-feminizm","tag-healingjourney","tag-jungpsikolojisi","tag-kadingucu","tag-kadinruhu","tag-kesfet","tag-kitapozeti","tag-kirmiziayakkabilar","tag-kurtlarla-kosan-kadinlar-clarissa-pinkola-estes-ozet","tag-kurtlarla-kosan-kadinlar-clarissa-pinkola-estes-kitap-ozeti","tag-kurtlarla-kosan-kadinlar-ozet","tag-kurtlarlakosankadinlar","tag-laloba","tag-masallar","tag-mavisakal","tag-mitoloji","tag-ozgurluk","tag-selfdiscovery","tag-sezgiler","tag-sifa","tag-spirituality","tag-vahsikadin","tag-wildwoman","tag-womenwhorunwiththewolves","tag-yaraticilik"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts\/873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/comments?post=873"}],"version-history":[{"count":0,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/posts\/873\/revisions"}],"wp:attachment":[{"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/media?parent=873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/categories?post=873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/e-dokuman.com\/index.php\/wp-json\/wp\/v2\/tags?post=873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Vah\u015fi Kad\u0131n\u0131n \u0130zini S\u00fcrmek<\/strong><\/h4>\n\n\n\n
Yaralar ve \u0130yile\u015fme<\/strong><\/h4>\n\n\n\n
Yarat\u0131c\u0131l\u0131k ve \u00d6fke: Vah\u015fi Kad\u0131n\u0131n G\u00fc\u00e7leri<\/strong><\/h4>\n\n\n\n
Do\u011fa ve D\u00f6ng\u00fcsellik<\/strong><\/h4>\n\n\n\n
Son S\u00f6z: Eve D\u00f6n\u00fc\u015f<\/strong><\/h4>\n\n\n\n
\n\n\n\n\u00d6zg\u00fcn Bir Bak\u0131\u015fla Kitab\u0131n Ruhu<\/strong><\/h3>\n\n\n\n
\n\n\n\n